REVIEW: The Snowman Is Melting

Michael Fassbender tries hard to save The Snowman.

It would be easy to dismiss The Snowman as the standard troubled production that couldn’t be saved in post (three-time Oscar winner editor Thelma Schoonmaker notwithstanding). Alas, the outcome is so uniquely weird -disjointed, beautiful, nonsensical- it’s kind of fascinating how this movie came to be.

Based on Jo Nesbø’s Harry Hole series, The Snowman pits the titular detective (Michael Fassbender) against a serial killer who targets adulterous women. The maniac enjoys taunting his pursuers with childlike notes commenting on their investigation (he doesn’t think highly of it). As the bodies begin to pile up, Hole finds a link between the killings and a decade-old unsolved murder involving Norwegian captains of industry.

While mostly a plot-driven thriller, The Snowman is also a character study. Harry Hole is an alcoholic whose level of self-loathing is so high, he would rather alienate those who love him than give domesticity a try. The film fails to integrate both threads and, for most of the movie, the family drama feels not only disconnected, but unnecessary.

The Snowman unfolds in stilted fashion. Some of Hole’s decisions are baffling and a number of plotlines go nowhere. Director Tomas Alfredson (Tinker Tailor Soldier Spy) confessed production was rushed and not all the script was shot. This would explain why so often the story is pushed forward via ADR.

The saddest part about this misfire is all the casualties: The possibility of a Harry Hole franchise, Dion Beebe’s gorgeous cinematography, a cast as deep as underutilized (Chloe Sevigny plays twins and still seems barely there), and -above all- Val Kilmer. On the mend from throat cancer, all of Kilmer’s lines have been noticeably dubbed. The actor’s performance is so over the top, it seems to belong to an entirely different film. His weirdness, however, is strangely compelling and one wishes to see more of him.

There are hints of the Tomas Alfredson that brought us the original Girl with the Dragon Tattoo and Let the Right One In. Deeply idiosyncratic characters and potent images can be found here and there, but The Snowman never seems under his control. Two planets.

The Snowman opens this Friday everywhere.

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