On January 28 and 31 Cineplex is playing the excellent 1963 movie Charade as part of the Classic Film series.
Directed by Stanley Donen, the film is kind of mix between a romantic screwball comedy and a thriller. Regina “Reggie” Lampert (Audrey Hepburn) while on a skiing trip decides she’s going to divorce her husband Charles when she gets back to Paris. While at the ski lodge she meets Peter Joshua (Cary Grant). When she returns to Paris she finds that her husband has been murdered.
Continue reading “Sunday Matinee: Charade”
Julien Tavernier (Maurice Ronet) and his lover, the married Florence Carala (Jeanne Moreau) plot to kill Florence’s husband who is also Julien’s boss.
While the husband is working late Saturday night, Julien sneaks up the outside of the building using a rope and shoots and kills the husband. He then makes it look like a suicide. Julien leaves the building, starting his car and then notices that he left the rope hanging from the side of the building.
Continue reading “Sunday Matinee: Elevator To The Gallows”
Dario Argento’s classic horror movie about a young woman (Jessica Harper) attending a dance school in Europe and discovering something sinister is happening at the school, is turning 40 this year.
Synapse Films did a 4k restoration on the movie that took four years to complete and has been screening the restoration in select theatres this year. It apparently looks amazing. They’ve also just released the restoration on blu-ray this month.
Continue reading “Sunday Matinee: Suspiria”
Director Mike Hodges and Michael Caine decided to follow up the brilliant Get Carter with another gangster like film, the 1972 movie Pulp.
The difference this time out is instead of a serious and gritty crime drama Pulp is more of a comedy. It has goofy moments and jokes, then some gritty crime. Michael Caine stars as Mickey King, a novelist who writes books like My Gun is Long and The Organ Grinder under pen names Guy Strange, Gary Rough and the amusing S. Ódomi. Caine is hired to ghost write and autobiography of retired actor Preston Gilbert (Mickey Rooney).
Continue reading “Sunday Matinee: Pulp”
After stopping the Godzilla franchise in 2004 Toho Studios gave the big guy a break for a few years. They then licensed him out to Legendary Pictures who started a new American Godzilla franchise that started in 2014. When that movie was a success Toho decided to relaunch the series in Japan again. They brought in acclaimed director Hideaki Anno (creator of Neon Genesis Evangelion) to write and co-direct the new movie. In 2016 Shin Godzilla hit screens and presented a very different take on the legendary monster.
The movie draws its inspiration from the 2011 Tōhoku earthquake and tsunami and the Fukushima Daiichi nuclear disaster. The Japanese Coast Guard investigate an abandoned boat only to be attacked by a huge wave and a creature. News reports later show a giant tail swimming closer to shore. The prime minister of Japan assures people that the sea creature can’t come on shore. It has gills and no limbs. Despite this the creature swims into canals and into Japan and eventually makes land where the creature evolves legs and lungs.
Continue reading “Sunday Matinee: Shin Godzilla”
Star Wars and Close Encounters of the Third Kind aren’t the only movies celebrating their 40th anniversaries this year. Terry Gilliam’s Jabberwocky is too.
Jabberwocky was Gilliam’s first solo directorial effort away from Monty Python although Michael Palin stars in it and Terry Jones has a cameo. Palin stars as a poor cooper in medieval times. All Palin wants to do is work and marry a large peasant woman who doesn’t really like him. Palin’s father disowns him on his deathbed so Palin goes to town to try and find work.
Continue reading “Sunday Matinee: Jabberwocky”
Iris Henderson (Margaret Lockwood) is a British tourist about to head home from the country of Bandrika. A train delay forces everyone who was going to travel to spend a night at the local inn.
Iris is disturbed by music playing in the room above her getting the young musician Gilbert Redman (Michael Redgrave) kicked out of his room. Gilbert retaliates by forcing Iris to let him stay in her room. Meanwhile elderly Miss Froy (Dame May Whitty) is listening to a local musician play a tune outside her window. Unbeknownst to Miss Froy, the musician is killed shortly after playing the tune.
Continue reading “Sunday Matinee: The Lady Vanishes”
There is not a lot of absolutely bat shit crazy cinema but during the 1970s exploitation era there was some amazingly unique movies. Today’s Sunday Matinee for example is a 1975 action/horror exploitation flick Wolf Guy based on the Japanese manga of the same name.
Trying to describe this movie takes a bit of work. Shinichi “Sonny” Chiba runs into a yakuza who is fleeing something. The man manages to get out of a crowd and into a back alley where an unseen force tears the man to shreds. Chiba catches up to the man finding him dying and mentioning a woman named Miki and a tiger.
Continue reading “Sunday Matinee: Wolf Guy”
I wanted to add this to this year’s 31 Days of Horror but it just didn’t quite fall into the horror category. This British/Canadian production by director Bob Clark has Sherlock Holmes going after Jack the Ripper in 1979’s Murder by Decree.
Christopher Plummer stars as Holmes and James Mason is Watson. It’s 1888 and Jack the Ripper is on the loose in the streets of London. A citizen’s group ask Holmes to investigate the crimes.
Continue reading “Sunday Matinee: Murder By Decree”
<img src=”http://www.prairiedogmag.com/wp-content/uploads/2015/08/sunday-matinee.jpg” alt=”” width=”150″ height=”150″ class=”alignleft size-full wp-image-83591″ />We’ve almost reached the end of September and that means that Sunday Matinee will be going on hiatus for the month of October as I’ll be doing 31 Days of Horror again. This year’s theme will Canadian horror movies in honour of Canada’s 150 anniversary.
Today’s Sunday Matinee is Alfred Hitchcock’s 1927 masterpiece <em>The Lodger: A Story of the London Fog</em>. This was Hitchcock’s third movie but his first thriller.
<img src=”http://www.prairiedogmag.com/wp-content/uploads/2017/09/Lodger.jpg” alt=”” width=”182″ height=”268″ class=”alignleft size-full wp-image-93723″ />The plot has a serial killer on the loose, attacking blonde women on Tuesdays. While all the other blonde women are scared and hide their hair, Daisy Bunting (June Tripp) isn’t afraid. She lives at home with her folks and her boyfriend Joe (Malcolm Keen) is a police officer. Her parents are renting a room and a young man (Ivor Novello), who matches the descriptions of the killer, who calls himself The Avenger, comes to rent the room.
Slowly Daisy starts to fall for the lodger who is quiet and strange. When Joe starts to resent the lodger and confronts Daisy she breaks up with him. Joe then starts to believe that the lodger is The Avenger.
This is very early Hitchcock but it’s excellent. Several themes in this film Hitchcock would reuse in several of films over the years. Blonde female leads, ominous camera angles, shadowy lighting and an innocent man falsely accused and on the run. Hitchcock would refer to this film as “first true Hitchcock film” and it certainly lives up to the title.