Ida Lupino started her career in 1930s as an actress but by the 1950s she changed gears and became a director. She became the first woman to direct a film noir with 1953 The Hitch-Hiker.
Loosely based on the true story of convicted serial killer Billy Cook, this tense thriller follows two men on a fishing trip who make the mistake of picking up a hitchhiker.
Continue reading “Sunday Matinee: The Hitch-Hiker”
Robert Ryan is brutal cop who beats his suspects and finds himself in trouble with his superiors.
After ignoring a warning from his boss Ryan beats another suspect for information. The suspect threatens to sue the department and Ryan’s boss has had enough. He sends Ryan up North to help in the investigation of a murdered girl.
Continue reading “Sunday Matinee: On Dangerous Ground”
There have been many adaptations of Jules Verne’s classic novel L’Île mystérieuse aka The Mysterious Island. The novel was originally a kind of sequel to Twenty Thousand Leagues Under the Sea and In Search of the Castaways.
The original story had to do with five Americans fleeing the American Civil War and crashing on a mysterious island. They survive thanks to a mysterious benefactor and along the why meet one of the characters from In Search of the Castaways and fight off pirates before meeting their benefactor who turns out to be Captain Nemo who survived the end of Twenty Thousand Leagues Under the Sea and has spent his old age on the island.
Continue reading “Sunday Matinee: The Mysterious Island”
The thing that separates good documentaries from great ones is that the latter discover something about their subjects that wasn’t of public domain (Three Identical Strangers comes to mind). Halston is standard stuff, framed by one of the most ill-conceived gimmicks in the history of the genre, so much so it nearly derails a compelling story about the pitfalls of greed.
The rare couturier who kept an eye on the general public when crafting his designs, Roy Halston put America on the fashion map in the early 70’s. His skill was in the cut: Halston could make a dress out of a single, continuous piece of fabric, and favored simple, straight lines. But for all his skill with the scissors, he was quick to sell his name to bigger businesses, a practice that would end up costing him dearly. Continue reading “REVIEW: Halston Remains Inscrutable”
About three years ago, a mediocre action flick made it to Canadian cinemas for no discernible reason. It was called Precious Cargo and featured noted muscle-head Mark-Paul Gosselaar. The former Saved by the Bell star had to go head-to-head against a villainous Bruce Willis, noticeably bored out of his mind. The movie was perfunctory and ended with a collection of bloopers (none of them funny), weird for a thriller. At least Willis got his paycheck.
What has Precious Cargo got to do with The Tomorrow Man? Both are labors of love by people too attached to material that’s not nearly as good as they believe it to be. If nothing else, there is a modicum of humanism in The Tomorrow Man thoroughly absent from the Gosselaar-Willis “romp”.
Written, directed and shot by Noble Jones —who has done videos for Taylor Swift and OneRepublic— The Tomorrow Man is the kind of movie you would take your parents to. At the center of the film is Ed (John Lithgow), a lonely retiree that spends his time in chatrooms and his money on a bomb shelter. Ed is not deranged but he is rigid and prone to rants (so, close). Continue reading “REVIEW: The Tomorrow Man Is a Bit Stale”
Nat Harbin (Dan Duryea) sees a newsreel that tells how a spiritualist named Sister Sarah (Phoebe Mackay) has inherited a priceless necklace. Nat sends Gladden (Jayne Mansfield) to case the joint and pose as an admirer.
Gladden tells the gang where the necklace is and Sister Sarah’s evening habits. They plan a heist to steal the necklace.
Continue reading “Sunday Matinee: The Burglar”
Richard Quine was an actor who starred in variety of movies from the 1930s and 40s. He moved into directing movies in the 1950s. His first films were musicals and he collaborated with screenwriter Blake Edwards with a couple of them.
In 1954 the two shifted gears and made a gritty film noir film Drive A Crooked Road.
Continue reading “Sunday Matinee: Drive A Crooked Road”
It’s an all too common pipedream: Trading the rat race for the simpler life, one in which you cultivate your own food, grow your own eggs and work your patch of land from sunrise to sundown. Nobody follows through because, as delightful as it sounds, we know farming is a lot harder than this hipster visualization of heaven. Heck, I can’t even grow basil on my balcony.
The Biggest Little Farm chronicles seven years in the life of a couple who actually did it. Inspired by their rescue dog —too loud for apartment living— John and Molly Chester traded their L.A. apartment for 200 all-but-abandoned acres not far from the city. It wasn’t a blind bet: John turned this move into a project open to investors and people who want to learn how to farm. Continue reading “REVIEW: The Biggest Little Farm Is Hipster Heaven”
In the 1970s, producer John Dark and director Kevin Connor made a series of lower budget fantasy films. Most of the films were in the lost world category with the first three being adaptions of Edgar Rice Burroughs works.
The last two were original stories, Warlords of Atlantis in 1978 and the last was this 1979 adventure film, Arabian Adventure.
Continue reading “Sunday Matinee: Arabian Adventure”
Given all the revenue Disney is generating by turning animated classics as live-action features, it’s very unlikely the House of Mouse will stop doing it any time soon. Even the so-so Dumbo made over 340 million dollars worldwide.
While I would prefer Disney to take risks as opposed to mine the back catalogue, there is some joy to be found in these remakes: The breeziness of Cinderella, the underlying melancholy of Pete’s Dragon, Ben Kingsley as Bagheera in The Jungle Book. The one thing you won’t find: Freshness. These movies have been fussed over within an inch of their lives. They are expected to hit all four demographic quadrants and please everybody. Not hair is out of place and most scenes seem airless.
Aladdin has problems but at least is light on its feet, thanks to director Guy Ritchie’s anything-goes approach and Will Smith leaning hard on his charm. Continue reading “REVIEW: Aladdin Gets a PC Makeover”