Oh, Lucy! was the first movie I saw in last year’s Toronto International Film Festival. I remember thinking “what a pointless oddity. I’m positive I will never hear of this movie again.” And here we are.
Produced by Will Ferrell and Adam McKay, Oh Lucy! is not the film you would expect from the Anchorman duo. Setsuko (Shinobu Terajima), a lonely middle-age woman living in Tokyo, rediscovers her joie de vivre when by chance lands in an English class with John (Josh Harnett, don’t ask). The expat’s teaching technique consists in giving the student a blond wig and an American identity, “Lucy”. (Seriously, people have problems with Isle of Dogs and not with this?)
Unbeknownst to John, the class triggers a tectonic shift inside Setsuko. She loosens up, quits her job and decides to actively pursue the English professor. John has gone back to America, you say? No problem! She has a passport.
There are a couple of additional complications (John is dating Setsuko’s niece; Setsuko and her sister can’t stand each other) that give the film a whiff of screwball comedy, but Oh Lucy! never takes off: Harnett is no one’s idea of comedic performer and Shinobu Terajima embodies too much pathos to come across as funny.
The film is more effective while in Japan. The moment the action moves to Los Angeles and the “fish out of water” cliché kicks in, Oh Lucy! loses its charm. The tonal inconsistency is jarring: This is a comedy that opens with someone launching himself in front of a train, and clearly there is something wrong with Setsuko that is never addressed.
If nothing else, Terajima’s performance keeps the film watchable, but the low stakes and even lower production values hurt the overall experience. The message -the connections you make in the world may save you in the end- is a sweet one, if about as pat as they come. One and a half planets (out of five).
Oh Lucy! opens this Friday 13th at the Roxy Theatre.
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